1. Cite some variations in the Loathly Lady fabula across the three tales in
your Reader. Focus on the conditions by which the lady is either beautiful or
ugly, and the actions of the knight/king/"hero"...
2. The Wife of
Bath's Tale is considered by some critics to indicate that Chaucer may have
been a feminist. Why might they believe this? Do you agree? Remember to cite
evidence from the text or some other source.
3.Hahn's essay (see critical
reader)on The Wedding of Sir Gawain and Dame Ragnelle identifies the
motif of the loathly lady, but arguesit has a different purpose than asserting
the feminine. What does he think the function of the story is?
4. In the
context of Elizabethan and Jacobean sonnets, how can we define "conceits"?
5. Discuss what you think is the most striking or outrageous
example.
6. What does Revard (1997) suggest about the relationship
between language, sex, power and transgression in the English Renaissance?
Wednesday, March 27, 2013
Sunday, March 24, 2013
Dragon Slayer. Week 1~3 Daehun Kim
Dragon Slayer. Week
1~3
Dragon Slayer.
What genres do the
following texts belong to?
Voluspa, Volsunga Saga, Beowulf, Lord of the Ring/Hobbit.
I
believe that the following books may seem like that they all belong
under the category of “fantasy.” However, I think that Voluspa, Volsunga Saga,
Beowulf would be more suitable if it was classified differently.
Voluspa
The first text,
Voluspa is under the category of Mythological poem. This is because the
following text refers to gods from the poem. This can be clearly proven because
"Hear
my words / you holy gods' (l.1)
"By
Odin's Will I'll speak the ancient lore" (l.3) the text mentions
gods.
Another clue that
gave me in order for me to notice that this was a mythological poem is that,
the text that was written was in a poetic style.
Nothing was there when time began,
neither sands nor seas nor cooling waves.
Earth was not yet, nor the high heavens,
but a gaping
emptiness nowhere green.
Beowulf
Beowulf is under
the category of epic genre. Epic genre usually consist of warriors, dangerous
settings, and heroic figures. This may seem like mythological poem. However,
this is an epic genre does not talks about gods in the text. An example which
backs this statement is
“The dragon began to belch out flames and bum bright
homesteads.”
This is a clue to the viewers that epic genres talks about true heroic
figures like Beowulf who slays dragons.
Volsunga Saga
Volsunga Saga is a
text that is under Saga genre. Saga is also very similar to epic. Many viewers
may get confused with the two genres. However Volsunga Saga is clearly a Saga
genre because unlike epic genre Saga does consist gods and myth. Although, the
main focus of the text is based on the men/character.
ʺUnknown to men is
my kin. I am called a noble beast: neither father have I nor mother, and
all alone have I fared hither.ʺ
Is an example of heroic figure of Sigurd which
shows his pride and confidence.
Lord of the
Rings/Hobbit
The two texts are fantasy
genre as it is widely known by a lot of people around the world. It was quite
difficult for me to identify the difference between Saga and fantasy genres.
However, I have found difference between the two following texts. Saga is tales
that was told/written by people hundreds and hundreds of years ago. However,
fantasy novel such as the Lord of the rings and the Hobbit, was written by a
creative writer that wrote novel about his ideas. I also noticed that fantasy novels
usually contain and mainly focuses on adventures, dragons, and magic.
All the following
genre were quite hard to identify since they had a lot of similarities.
However, they were clearly different if you are able to clearly identify the
difference that they have rather than to find similarities.
Please feel free to add on/correct my ideas in the comment box if you guys want to add more/or think differently :)
Saturday, March 23, 2013
Issues surrounding Fantasy:
Do ancient literary
forms, such as epic, have any use today? I think that ancient forms of literature still
have use in terms of inspiring writers for ideas in creating stories aswell as
for producing screenplays , even today through Greek and Roman Mythology do we
see comparisons made from films and shows such as Sparticus , the Immortals and
Wrath of the Titans etc. An example of an ancient literary text that I would hope be made into a movie would be
the Aenied. I think the themes and
Heroic nature of the stories can be seen in many texts and films today.
Examples would be Piety that displays humility in a particular character or the
complete opposite which would be that also taken from Virgils Aenied , this
being furor; which means violent
madness. Fantasy is not only for historic interest . I support this from a
extract taken from an article written by Gloriana St. Clair, Tolkien's Cauldron: Northern Literature and
The Lord of the Rings. “I have read and reread Tolkien’s works and
have worked with the texts closely at hand. My approach has not been that of a
fan, although I do have a great love for his work, but that of a scholar of
medieval literature.Yet, fans, rather than scholars, still write most of the
books and articles onTolkien. Many of these have some good ideas and insights
but few reflect acareful knowledge of either Tolkien’s work or of medieval
literature. Ruth S,Noel’s The Mythology of Middle-earth is one such work. If
Tolkien had not been popular, he would now be given more serious consideration.
When scholars do come to write about Tolkien’s work, they frequently talk about
what he did not accomplish rather than what he intended and produced.This book
concentrates on placing Tolkien in a tradition of Northern literature.”(
Claire, 2000) .This extract shows that work produced by Tolkien still
has a place amongst Scholars who seem to critique his work for what it didn’t do.
Is fantasy a genre
for children? Although the ideas
of fantasy could appeal to many at a young age, examples being romance between
a Knight and a Woman or Dragons fighting against dwarves , there are cases
where fantasy isn’t for children. If knowing that the Hobbit and Game of
Thrones are of the same genre it can be noted that the level of Violence is
different, there is more treachery in Game of Thrones and that’s the most
modest part. The violence is that of a different nature in a way that seems
more life like compared to goblins and beasts . If surely not for the violence
than the sex scenes would most likely prove that the fantasy genre isn’t always
aimed at children. George R.R Martin is not shy when it comes to incest and
homosexuality along with raunchy sex scenes in written texts aswell as the HBO series.
Although fantasy has the idea of taking you away from reality , and although
the Hobbit was aimed at children in one way or another, fantasy may not be a
genre for children. This is supported by Kieran Egan; “The
range of distorted beliefs people hold may not all derive from fantasy stories,
of course, but some of the greatest educational thinkers, such as Plato,
Rousseau, Montessori, and others, have been implacable foes of fantasy for
children because they concluded that it certainly contributes to falsehood and
confusion in profound ways.”
Thursday, March 21, 2013
Dragon Slayer Week 1-3
What genres do the
following texts belong to?
Voluspa, Volsunga Saga, Beowulf, The Hobbit and Lord
of the Rings.
Each of the texts above can be placed into different genres
from my own understanding. (Feel free to correct me I am wrong.)
Voluspa
The first text, Voluspa,
can be seen as a mythological poem. Firstly, it is a myth because the text
focuses on Gods.
“Hear my words, you
holy gods.” (Extract 1.a, Line 1)
“By Odin’s will, I’ll
speak the ancient lore” (Extract 1.a Line 3)
As we read on, we begin
to notice that Extract 1 is about the creation of the Norse mythological world.
“I know how nine roots form nine worlds” (Extract 1.a. Line 7)
“I know how nine roots form nine worlds” (Extract 1.a. Line 7)
And it was the Gods themselves who created it.
“Then Bur’s sons
lifted up the land and made Midgard” (Extract 1.a. Line 13-14)
The text also has Gods as the protagonist/hero.
“Far famed Thor, the
son of Earth, the son of Odin, goes forth to fight the snake.” (Extract 3.
Line 1-2)
Secondly, it is a poem because the text consists of stanzas. It follows a
certain poetic scheme throughout the text. We have a clear understanding of
this even from the first stanza.
“Hear my words, you
holy gods,
Great me and humble sons of
Heimdall;
By Odin’s will, I’ll
speak the ancient lore,
The oldest of all that I
remember.” (Extract 1.a, Line 1-4)
Throughout the extracts, the text is broken up into multiple
stanzas similar to the first one. They don’t necessarily follow a rhyme scheme.
However, each line in the stanza is presented in two parts, parted by a comma,
or a noticeable blank spacing.
Therefore, I believe this text fits into the genre of a
mythological poem perfectly. For it consists of Gods and is written in a poetic
style.
Volsunga Saga
The second text, Volsunga
Saga, is a saga. A saga is a very long story/tale which depicts man as the
hero instead of the Gods (the Gods are still involved but are not the protagonists).
In the extracts of Volsunga
that we were given, it tells the tale of Sigurd who confronts the dragon,
Fafnir. The hero of a saga is brave, courageous and admirable, and Sigurd was
just that.
“Sigurd neither trembled
nor was adrad at the roaring of him.” (Line 28)
A saga also tells the tale of heroic deeds and feats of man;
in this case, it is about Sigurd slaying Fafnir, the dragon.
“So whenas the worm
crept over the pits, Sigurd thrust his sword under his left shoulder.”(Line
30)
The text also has similarities to a narrative prose by the way
it is presented. It flows freely unlike a poem which has a structure. It also
has dialogue.
“But Sigurd said, “What
will betide me, if I be before the blood of the worm?””(Line 11)
The way that Volsunga
is written strikes similarities to the modern fantasy novel. Volsunga Saga may very well be one of
the earliest forms of prose writing which influenced the narratives of today.
Beowulf
Beowulf is an Anglo-Saxon
“epic” narrative. An epic consists of man as the protagonist, which is similar
to a saga, however, there are no Gods involved at all. An epic also consists of
heroic deeds and near-impossible feats.
Beowulf follows a
man named Beowulf as the protagonist.
From my prior knowledge, I know that Beowulf killed the
beast, Grendel and Grendel’s mother, which earned him respect among men.
“The wide kingdom
reverted to Beowulf. He ruled it well for fifty winters, grew old and wise as
warden of the land.”
He was then crowned king, as stated in the extracts that we
were given.
“The dragon began to
belch out flames and burn bright homesteads; there was a hot glow that scared
everyone.”
Slaying the dragon was Beowulf’s last heroic deed. He showed
signs of a true hero by confronting the dragon even when everyone else was
scared.
The Hobbit & The Lord of the Rings
The Hobbit & The
Lord of the Rings fall into the genre of fantasy novels. They are written
by J.R.R. Tolkien. The Hobbit can be
seen as a prequel to The Lord of the
Rings. Fantasy novels usually have a supernatural/fantastical element to
the story. E.g. magic.
They also involve fictional characters and locations.
“Now if you wish, like
the dwarves, to hear news of Smaug, you must go back again to the evening when
he smashed the door and flew off in rage, two days before.” (The Hobbit,
Chapter XIV)
Dwarves are a fictional race in fantasy; they are usually
depicted as short, bearded men, who are stout and strong. Smaug, on the other
hand, is the name of the dragon in The
Hobbit.
From the extract from The
Hobbit, we can see that it shares similarities to the Norse/Anglo-Saxon
texts. The protagonists set out on a journey, and go through many challenges,
and eventually defeats the “bad guy” at the end.
“The black arrow sped
straight from the string, straight for the hollow by the left breast where the
foreleg was flung wide.”
“With a shriek that
deafened men, felled trees and split stone, Smaug shot spouting into the air,
turned over and crashed down from on high in ruin.” (The Hobbit, Chapter
XIV)
In this case (much like Volsunga), The hero slays the
dragon.
Wednesday, March 6, 2013
Weeks 1-3
1. What genres do the following texts belong to?
Voluspa, Volsunga Saga, Beowulf, The Hobbit and Lord of the Rings.
Give some examples from these texts that support your identification (for example: "Voluspa is an example of the _____ genre, as the following references to gods from the poem illustrate: "Hear my words / you holy gods' (l.1) "By Odin's Will I'll speak the ancient lore" (l.3), etc).
2. What are some possible features of residual (or "secondary") orality preserved in Voluspa, according to the criteria Ong (1982) advances?
3. Identify a central incident that happens in at least four of the above texts, and discuss how it is both similar and different in each example (remember to site from the original texts).
4. How did Tolkien draw on the Old Norse and Old English texts in his Hobbit and Lord of the Rings fantasy novels? Provide some concrete examples.
5. Discuss how Tolkien's use of "tradition" (e.g. older literary sources) differs from the techniques and agendas of modernism (see Week 7 in your Reader).
6. What place do the old myths have in the modern world?
7. How does the film Beowulf and Grendel "problematise" the hero-myth of Beowulf ?
8. Discuss what you think any of these texts desire (in the sense of their intention, how they wish to be received, what pleasures they offer).
Voluspa, Volsunga Saga, Beowulf, The Hobbit and Lord of the Rings.
Give some examples from these texts that support your identification (for example: "Voluspa is an example of the _____ genre, as the following references to gods from the poem illustrate: "Hear my words / you holy gods' (l.1) "By Odin's Will I'll speak the ancient lore" (l.3), etc).
2. What are some possible features of residual (or "secondary") orality preserved in Voluspa, according to the criteria Ong (1982) advances?
3. Identify a central incident that happens in at least four of the above texts, and discuss how it is both similar and different in each example (remember to site from the original texts).
4. How did Tolkien draw on the Old Norse and Old English texts in his Hobbit and Lord of the Rings fantasy novels? Provide some concrete examples.
5. Discuss how Tolkien's use of "tradition" (e.g. older literary sources) differs from the techniques and agendas of modernism (see Week 7 in your Reader).
6. What place do the old myths have in the modern world?
7. How does the film Beowulf and Grendel "problematise" the hero-myth of Beowulf ?
8. Discuss what you think any of these texts desire (in the sense of their intention, how they wish to be received, what pleasures they offer).
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